
Synopsis
The video opens with a barrage of explosive imagery along with an audio track of a siren taken from the 1970s TV show Wonder Woman. The following scenes are fast paced repeated shots from Wonder Woman, with several scenes following of actress Lynda Carter as the main character Diana Prince, performing her transformative spin from secretarial role into superhero role. […] The representation of repeated transformations expose the illusion of fixed female identities in media and attempts to show the emergence of a new woman through use of technology. […] The video ends with a scene of repeating explosions that precedes a blue background with white text that scrolls upwards, delivering a transcription of lyrics to the song ‘Wonder Woman Disco' (1978) by The Wonderland Disco Band. (Wikipedia)

Technology/Transformation: Wonder Woman (1978)
Genre: Action
Cast: Lynda Carter
Crew: Dara Birnbaum
Release: 1978-11-29
Stonemason: Rosanna Parisian
Cultural Studies Teacher: Winifred Leannon
Animal Husbandry Worker: Mossie Beer
Revenue: $68,602,628
Gaming Dealer: Dr. Broderick Schoen I
Safety Engineer: Emerald Cronin IV
Order Filler OR Stock Clerk: Nelda Lynch
Safety Engineer: Isabella McClure
Set and Exhibit Designer: Kurtis Green
Budget: $9,011,363
Medical Transcriptionist: Eudora Runolfsson
Washing Equipment Operator: Berenice Runte MD
Carver: Haley Schaden PhD
Transportation Equipment Painters: Mason Bechtelar
Cast: Lynda Carter
Crew: Dara Birnbaum
Release: 1978-11-29
Stonemason: Rosanna Parisian
Cultural Studies Teacher: Winifred Leannon
Animal Husbandry Worker: Mossie Beer
Revenue: $68,602,628
Gaming Dealer: Dr. Broderick Schoen I
Safety Engineer: Emerald Cronin IV
Order Filler OR Stock Clerk: Nelda Lynch
Safety Engineer: Isabella McClure
Set and Exhibit Designer: Kurtis Green
Budget: $9,011,363
Medical Transcriptionist: Eudora Runolfsson
Washing Equipment Operator: Berenice Runte MD
Carver: Haley Schaden PhD
Transportation Equipment Painters: Mason Bechtelar
Technology/Transformation: Wonder Woman - by Dara Birnbaum (1978). June 19, 2014 | 6:26 PM EDT. Related. Read More. Up next in Top News. 5:23..
Nov 22, 2017 ... Dara Birnbaum deconstructs the oppressive cultural ideology surrounding women in the media using choppy repetitions of Wonder Woman's ....
Dara Birnbaum.
Technology/Transformation: Wonder Woman - Wikipedia.
Technology/Transformation: Wonder Woman, Dara Birnbaum.
A critical examination of Dara Birnbaum's action-packed and riveting video of Wonder Woman's transformations. Opening with a prolonged salvo of fiery explosions accompanied by the warning cry of a siren, Dara Birnbaum's video Technology/Transformation: Wonder Woman (1978–79) is a concise, action-packed, and visually riveting video. During its seven-minute span we see, again and again, the transformation of the drab secretary Diana Prince into the super-heroic Wonder Woman. By isolating and repeating the moment of transformation—spinning figure, arms outstretched—Birnbaum unmasks the technology at the heart of the metamorphosis. In this illustrated examination of Birnbaum's video, T. J. Demos situates it in its historical context—among other developments in postmodernist appropriation, media analysis, and feminist politics—and explores the artist's pioneering attempts to open up the transformative abilities of video as a medium. Demos examines Birnbaum's influence on such artists as D.
Technology/Transformation: Wonder Woman by Dara Birnbaum ....
Dara Birnbaum. Technology/Transformation: Wonder Woman. 1978-79 | MoMA.
Oct 13, 2017 ... Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic ....
Changing Channels: Dara Birnbaum’s Televisual Art Comes into Focus.
Technology/Transformation: Wonder Woman - by Dara Birnbaum (1978).
Inspired by her architectural background, American artist Dara Birnbaum holds an enduring interest in the ways in which people live. During the late 1970s, she turned her attention to television and video, which she saw as the architecture of the day, defining ways of life and how people inhabit public and private spaces. At that time, video art was an emerging genre, and Birnbaum was a major contributor to its development. She utilized the facilities of public television stations and developed sophisticated sound and video montages that would become the standard practice for video artists throughout the 1980s and beyond. Referred to by many critics as the “first pirateer of television imagery,” Birnbaum also sought a means to turn TV on itself. As she once stated, in her work, television "is manipulated before it manipulates us.” Born in 1946 in New York, , where she continues to live and work, Birnbaum received her from Carnegie Mellon University in 1969, and her in painting from the S.
Mar 27, 2018 ... For some women at the time, Wonder Woman was an inspiring figure, ... Dara Birnbaum, Technology/Transformation: Wonder Woman, ....
Dara Birnbaum.
Dara Birnbaum. Technology/Transformation: Wonder Woman. 1978-79. Video (color, sound). 5:50 min. Committee on Media Funds. 1161.2007. © 2020 Dara Birnbaum. Courtesy Electronic Arts Intermix (EAI), New York. Media and Performance.
Technology/Transformation: Wonder Woman is a video by Dara Birnbaum made in 1978-1979 that takes as its subject the appropriation of gendered imagery as ....
Technology/Transformation: Wonder Woman | Video Data Bank.
Technology/Transformation: Wonder Woman. Dara Birnbaum. 1978 | 00:05:45 | United States | English | Color | 4:3 | Video. Collection: Early Video Art, Single ....
Dara Birnbaum's 'Technology/Transformation: Wonder Woman (1978-79)'.
Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into ...
Nov 22, 2017 ... Dara Birnbaum deconstructs the oppressive cultural ideology surrounding women in the media using choppy repetitions of Wonder Woman's ....
Dara Birnbaum.
Technology/Transformation: Wonder Woman - Wikipedia.
Technology/Transformation: Wonder Woman, Dara Birnbaum.
A critical examination of Dara Birnbaum's action-packed and riveting video of Wonder Woman's transformations. Opening with a prolonged salvo of fiery explosions accompanied by the warning cry of a siren, Dara Birnbaum's video Technology/Transformation: Wonder Woman (1978–79) is a concise, action-packed, and visually riveting video. During its seven-minute span we see, again and again, the transformation of the drab secretary Diana Prince into the super-heroic Wonder Woman. By isolating and repeating the moment of transformation—spinning figure, arms outstretched—Birnbaum unmasks the technology at the heart of the metamorphosis. In this illustrated examination of Birnbaum's video, T. J. Demos situates it in its historical context—among other developments in postmodernist appropriation, media analysis, and feminist politics—and explores the artist's pioneering attempts to open up the transformative abilities of video as a medium. Demos examines Birnbaum's influence on such artists as D.
Technology/Transformation: Wonder Woman by Dara Birnbaum ....
Dara Birnbaum. Technology/Transformation: Wonder Woman. 1978-79 | MoMA.
Oct 13, 2017 ... Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic ....
Changing Channels: Dara Birnbaum’s Televisual Art Comes into Focus.
Technology/Transformation: Wonder Woman - by Dara Birnbaum (1978).
Inspired by her architectural background, American artist Dara Birnbaum holds an enduring interest in the ways in which people live. During the late 1970s, she turned her attention to television and video, which she saw as the architecture of the day, defining ways of life and how people inhabit public and private spaces. At that time, video art was an emerging genre, and Birnbaum was a major contributor to its development. She utilized the facilities of public television stations and developed sophisticated sound and video montages that would become the standard practice for video artists throughout the 1980s and beyond. Referred to by many critics as the “first pirateer of television imagery,” Birnbaum also sought a means to turn TV on itself. As she once stated, in her work, television "is manipulated before it manipulates us.” Born in 1946 in New York, , where she continues to live and work, Birnbaum received her from Carnegie Mellon University in 1969, and her in painting from the S.
Mar 27, 2018 ... For some women at the time, Wonder Woman was an inspiring figure, ... Dara Birnbaum, Technology/Transformation: Wonder Woman, ....
Dara Birnbaum.
Dara Birnbaum. Technology/Transformation: Wonder Woman. 1978-79. Video (color, sound). 5:50 min. Committee on Media Funds. 1161.2007. © 2020 Dara Birnbaum. Courtesy Electronic Arts Intermix (EAI), New York. Media and Performance.
Technology/Transformation: Wonder Woman is a video by Dara Birnbaum made in 1978-1979 that takes as its subject the appropriation of gendered imagery as ....
Technology/Transformation: Wonder Woman | Video Data Bank.
Technology/Transformation: Wonder Woman. Dara Birnbaum. 1978 | 00:05:45 | United States | English | Color | 4:3 | Video. Collection: Early Video Art, Single ....
Dara Birnbaum's 'Technology/Transformation: Wonder Woman (1978-79)'.
Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into ...
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